Paper Medium – Roma Devanbu

The meaningful and complex relationships that people have with the objects which fill their homes has been a recurring theme in Roma Devanbu’s work for many years. Months of following strict shelter-at-home protocols have further focused Devanbu’s attention on the domestic devices that serve as mediums of vital connection to the people, places and things beyond the constraints of our physical locations. This new body of work includes numerous cut paper interpretations of the tech-magic video meetings that have come to dominate our days. Other works depict objects such as heirlooms or meteorites which have their own power to link us to realms beyond.

Strategies for Coping

Eliza Gregory, Muzi Li Rowe, Vincent Pacheco, Joanne Tepper Saffren and Dan Tran

This show is about strategies for coping with dueling apocalypses. Laughter, tenderness, finding the ground so you can put your feet on it. We are looking for ways forward, for political agency. We are imagining new ways of being, collectively and individually. How do we find each other again? How do we listen, how do we love? How do we serve each other? How do we reconnect to our places, our environment, our neighbors and ourselves? We invite you to be with us. It’s wonderful being with you.

Five new Axis members—Eliza Gregory, Muzi Li Rowe, Vincent Pacheco, Joanne Tepper Saffren and Dan Tran—come together to show their work as Strategies for Coping, an exhibition dedicated to building connection across isolation in this particular time and place. Each artist presents work that speaks to a particular strategy for dealing with the panoply of ills that have reared up these last few months: anxiety, isolation, personal trauma, grief, social upheaval, sickness, wildfire…the list goes on. Using a mixture of photography, sculpture and paintings the five artists present works that resonate with humor and pathos, opening a conversation for everyone to acknowledge and share their strategies for coping.

Eliza Gregory

posted in: members | 0

Eliza Gregory is a social practice artist, a photographer, an educator and a writer. She holds a BA from Princeton University and an MFA from Portland State University’s Art & Social Practice program. Her three-year project about immigration to the … Continued

Summer Ventis – There is still a ground. There is still a sky.

So much is uncertain. We find ourselves at a boundary, in a margin, on a cusp. The space between the sky and ground, between before and after, between self and other is a space both terrifying and full of possibilities. The works in this exhibition exist in the space between. They engage the dystopian present and ask what possibilities it holds for a more hopeful future. There is still a ground. There is still a sky.

Doug Dertinger – HOLD

AXIS Gallery presents HOLD, new photographic works by Sacramento-based artist Doug Dertinger. HOLD brings together works from two photographic projects, Voyage and Traveler, inviting the viewer to consider the liminal nature of the everyday. This liminality, operative as silence and invitation to our attention or ignorance, is often overlooked as the generative source of our actions and attitudes toward the land. As one is held by glance or gaze, so is one operative: “I am always interested in the intimate encounter with the unattended,” writes Dertinger, “of the everyday and the easy-to-overlook, not simply to be witness, but attendant, gardener.” Dertinger’s images invite us to be collaborators in our understanding of the environment, forefronting the relationships that arise as we perceive, affirm, and deny the delicacy of our mutable and often tragic world.

(re)flection
Nick Shepard and Jake Seltzer

posted in: East Room show, Nick Shepard, Shows | 0

Artists and lifelong friends Nick Shepard and Jake Seltzer collaborated via text message and email to explore the COVID-19 disruptions from multiple perspectives. Shepard’s understated and layered photographs depict past and present scenes as mediated images displayed through the surface of electronic devices. Seltzer’s brash and energetic poems reflect on wide-ranging experiences. Together, the images and words create a complex portrait of this extraordinary moment.

Kenna Doeringer – “A Perceived Sense of Silence”

Silence is defined as a complete absence of sound, and there are few places or situations that allow us to understand what that truly is. We see places as silent and serene, often missing the tone that makes up the world. The subtleties that are overlooked, the everyday that is often ignored, but when we sit and listen to the silence, what do we hear? A Perceived Sense of Silence asks you to travel with the artist to various places and listen. It is a challenge to your perception of the intensity of sound and the true power of silence.

A departure from her previous work, Kenna Doeringer is incorporating her past experiences as a sound recordist and editor in an audio installation at Axis Gallery. A Perceived Sense of Silence is a passion project that has allowed her to explore and share with you what a silent world sounds like and how loud our lives really are.

Nick Shepard
A Mechanized Pencil

Axis Gallery is pleased to present “A Mechanized Pencil,” an exhibition of photographs in a site-specific installation by Nick Shepard on view from October 4 through October 27, with a Second Saturday reception with the artist on Saturday, October 12, from 6:00–8:00 pm. Shepard will present an artist talk Friday, October 4. This is Shepard’s second solo exhibition at Axis Gallery. Shepard’s work is grounded in a deep understanding of art history and the relationship between photography and other media. He makes frequent use of digital and analog processes to create images that are easily mistaken for paintings, but remain undeniably photographic.

Roma Devanbu – Keep, Toss, Give Away, Sell

Roma Devanbu’s use of intricate pattern reflects her ongoing fascination with the human compulsion to make things and decorate them. In this, her third, solo show at Axis Gallery, Devanbu contrasts these patterned elements, with representational passages, such as hands that hold on or let go of the objects, relationships and ideas of our making.

A chronic, but mostly manageable, hoarding disorder gives Devanbu a measure of personal expertise when it comes to understanding our attachments to things and to the meanings these objects hold. Devanbu explores these ideas in new drawings and paintings, as well as in interactive work which invite gallery goers to engage with the perpetual hoarder’s dilemma – Keep, Toss, Give Away or Sell?