Unravelling the nuanced connection between belonging and belongings, Joanne Tepper Saffren’s show at Axis Gallery uses the clothes left hanging on her late husbands side of their closet to create presence from absence. Saffren’s visceral art is one of disclosure—an … Continued
In his current exhibition, “Lost at Home, Found in Garden”, Ben Hunt continues to explore sculptural forms in relation to our fabricated landscapes, found objects, and the phenomena of the environment.
Curator’s Statement: Seeing in Real/Time Facebook’s rebranding as Meta in Fall 2021 serves as an apt analogy for our times, bringing to the forefront conversations about what constitutes authentic experience and interaction. With close to 5 billion social media … Continued
Axis Gallery is proud to present Gran Silencio (Great Silence), a collaborative exhibition by artists Raffa Chavez and Judith Johnson.
Vincent Pacheco explores ancestral memories through an installation of hand-made piñatas. As a third-generation Mexican-American caught between two worlds–an oppressed minority, and an upstanding citizen in white society– Pacheco uses this traditional craft to forge new cultural understanding. Artist reception will be held on July 9th from 6-9pm (Second Saturday)
Bonomo, Drew, Drew and Mead have come together to present work created from a wide variety of media and interactivity that has to do with memory, time, place and the viewers’ imaginations.
Muzi Li Rowe’s debut solo show at Axis Gallery looks at the intersection of technology, personal history, pseudo science and consumerism.
Axis Gallery is proud to present “New Works,”3 bodies of recent photographic work by California artists Doug Dertinger, Nicole Jean Hill, and David Woody. “New Works” is focused on our relationships with environments.
The concept of this exhibit is to explore the conversation of what remains after the passage of time, the exposure to the elements, and the nature of man.
Increasingly, transdisciplinary artists like Dan Tran are re-assessing their roles in the relationships between buildings, built environments, and the non-built ecosystems that provide the raw materials and energy that sustain them. Individually adopting greener studio practices and making material transitions are common responses to the climate crisis, biodiversity loss, pollution and many other interwoven social and environmental injustices. Yet, artists are also innately poised to cultivate unorthodox research relationships that weave disciplines, data, experiences and cultures in projects which then weave broader audiences and deeper mutual understanding. In doing so, they fill the ever-increasing need for the diverse, complex collaborations required to confront the complexities of the climate crisis as well as the ever-increasing need for more effective science communication.